Saturday, March 16, 2013

On the Macal








 On the Macal

By Mary Jo McConahay

Floating in a Beat-Up Canoe

Yellow-headed swallows dipped in and out of thick mist resting on the river. That fog probably followed the water’s curve for miles, I thought, maybe the whole length of Belize. I won’t see a thing from the boat.

Atop a high bank overlooking the Macal, I stood with my arms crossed, waiting for full dawn, feeling miffed.  The fog had burned off along shore, but the water wouldn’t let it go. As I watched, a chunk of the white stuff seemed to break sideways and soar above the river, a white king vulture erupting as if born of the mist.  It tacked and flew close over my head. I saw its magnificent wings trimmed smartly in black, each feather distinct. Shaken from myself, I watched the bird become ever smaller in blue sky, like a rocket launched into space.

“Just you?” came a voice from below.

A young man, very young but no longer a boy, stood tall and tanned, barefoot on the sand.  He was talking to me.  I nodded.

“Good,” he said. “We be light.”

At the water’s edge sat a feeble-looking craft about ten feet long, maybe a near antique, a Fiberglas canoe scratched and dull with age. How long had I been watching that bird?  This tableau below me, I supposed, was what I had purchased at the hotel desk the night before: “River Trip, Laid Back, No Frills, Local Guide.”

The young man’s smile was not mocking, but he was enjoying something all right.  “Yo best be comin’ down then,” he said.  Had I been staring at him?

On the beach, I extended my hand and he took it softly. “Do you want to see the receipt?” I asked.

“Henry,” he said. His long, dark hair was braided into a thousand tresses, each secured at the bottom with a single cocoa-colored bead.  I wondered who did it for him, then wondered why I wondered.

“So Henry,” I said, more curtly than necessary. “Do you want the receipt?”

He shook his head no. The smile became even wider, but it was kind. Bright teeth. Full lips. He lifted the bow of the boat and raised his eyes to the aft, a signal I should push.  I took off my sandals and dropped them into the boat. The water felt cool on my feet.  When Henry tried to help me board, I waved him away. Lowering myself to the middle plank seat, however, I lost my balance and almost tipped us both into the drink.  He didn’t meet my eyes then. I felt spared, but mad at myself as we pushed off from shore.

“Yo wantin’ a ride on da river, Miss Lady,” he said to my back.  The engine sputtered.  
“Yo want to re-lax.”

He was right about that, but I didn’t like hearing it from someone I had known for five minutes.  Younger.  Who spoke oddly.  I had not dropped biology for years of studying literature without carrying around some proper respect for the language and — I admit — disdain for those who did not. One thing was certain: I did not want small talk today, my only hours free of the standardized teachers’ tour with the others, my only time alone.

We floated under San Ignacio’s tremulous, one-lane bridge.  The rumble of tires on old metal rolled in my ears, a roar that beat on my head from the inside the skull.  I closed my eyes.  Re-lax.  Indeed.

“Like a thunder,” Henry said. And I didn’t want anyone reading my mind, either.

As the boat motored on, leaving the town behind, the harsh sounds of the bridge faded too, exactly like thunder receding. Slowly, the small engine’s soft putter became as much part of the atmosphere as birdcalls. In the mid-distance, three white egrets swooped low on wide, smooth wings, synchronized 
like a team of competition divers.

I turned around and saw Henry perched on an aft plank painted gray-pink, right hand on the tiller.  His khaki pants had been cut off above the knee, about halfway up thighs that looked strong as the trunks of young mahoganies. I suppose I had turned to get my bearings, but I am not sure. Henry steadied the tiller with an elbow as he pulled his shirt off over his head.  He was slim, tight across the stomach.

“Da sun, yo know,” he said.

“Da sun,” I said.  Then quickly, “Yes, the sun,” and turned to face forward again.

Sharp-billed kingfishers perched on boughs that reached low over the water. Sometimes one of them spread its wings and leapt from one branch to another, bright red breast like a shooting dart. A blue heron posed on a green canoe, the boat tied up empty, its owner unseen.  The heron’s neck and head were still adolescent brown, the rest of its body promising proper blue. The wooden canoe’s green paint was chipped, curling around the oarlocks.  They bobbed gently together, blue heron, green canoe, a silent poem where the land met water.


I don’t know how long we had been floating when I realized the sun had burned away almost all the mist. We came up on a rock that looked covered with brown lichen, and slowed. I dared to turn around once more. Henry cupped his hand, scooped up water and broadcast it over the rock; the brown mass burst into a cloud of tiny insects, thousands of vibrating wings sounding a high-pitched hum.  Answering some signal known only to them, the creatures tightened ranks in mid-air, then settled again as one upon another rock, silent and seamless as a prayer rug.  I could let go a little, why not? And gave Henry a congratulatory nod of the head.  He grinned, proud of the lovely trick.

Sometimes the old boat entered patches of frothy water. I grasped the sides then, to keep from losing balance.  Henry was in front of me now, the engine off, and at certain moments I watched his arm muscles strain to work the oars.  Most of the time, however, he pushed in the current without effort.  Once, when he pointed to the near shore, I focused my eyes and picked out iguanas in the trees.

They were about four feet long, the kind called “green iguanas,” but which turn brown with age to match the mottled boughs on which they stretch in the sun.  I startled myself. I was recognizing the animals, even though so many years had passed since I had studied them and their brothers, recognized them even though I had never seen the real thing outside a zoo. The iguanas might have lain there a million years, I thought, crested backs and long dinosaur tails motionless as high noon, but eyes alive, flicking slowly side to side, missing nothing, prehistoric dragons at rest, watching the river.
Below them spiny-tailed wishwillies scavenged the beach for food. They were low-caste cousins of the iguanas, smaller, nervous-looking, perpetually scurrying. Tree iguanas are herbivores, I knew, and wishwillies carniverous. I did not need Henry’s description of their repulsive behavior. But I laughed despite myself when he delivered it in a didactic voice.

“When one person is buried an’ everbody leave da grave, dem wishwillie go an’ haf dem a party sure ever time.”

I wondered what else was out there, what lived from the river, what existed in that porous green jungle wall. “Any monkeys or crocodiles?” I asked.

Yellow fever “wipe out” the monkeys, said Henry, and hunters “ice da crocs” on this stretch of the waterway.  But farther along where the Macal joins the Belize River, “they exist,” he said.

“I do believe da crocodile come back heah someday again,” Henry said dreamily, as if wishing it so.
For no reason I can give, besides the fact that we shared a capsule in time and space, floating hours together now on a river turning warm, I touched Henry’s arm to get his attention.  “I do too,” I heard myself say.  “Wish da crocs come back.” 

No response.

“I studied all this, you know,” I said.  “I studied all this once.”

My thoughts were coming fast now, as if they had been long frozen and were defrosting faster than I could catch them. I wanted to suggest out loud that maybe it was not too late, that I could return to immersing myself in plants and animals, that I could just as well teach science to middle school students as teach them the form of the short story by way of Edgar Allan Poe.  I wanted to talk.

Instead, I let myself drift along, taking in the colors of a river that flowed as ineluctably as fate, its course determined long ago. Matte orange bromeliads. Lustrous orange butterflies. Look how the bromeliads tie themselves to the trees, but don’t live from them; they are not parasites.  Rather they live from the dying leaves and other vegetable matter that float into their petals, soft pastel cups which cradle rainwater and condensation. Insects die there, and are digested.

A commotion in the bush, maybe a jaguarundi, sent small birds fluttering out of the canopy.  White spider lilies grew in clusters along the bank, slender tentacles reaching out — for what? — from the heart of each flower.

Henry’s traveling kit didn’t include shoes, but did include rum. “Do we want to take a swim?” he asked.
Later, we lay on the shore.  Because Henry wore no shirt, it was difficult not to stare at his left nipple, pierced with a shape wrought in gold.  It was meant to be noticed, and he looked pleased when I asked.  A marijuana leaf, he said.

“I thought it was a bird,” I said.

“Well, it make me feel like a bird.”

He would not be a mere boatman forever, Henry said, but surely manage his own fleet of half a dozen canoes someday. He knew the plants and animals on the river, taking seriously his job as a guide, “and I read,” he said.

About those things he didn’t know for certain, he said, he had “informed” opinions.  The sudden and mysterious fall of the great pre-Columbian Maya Empire, the question archaeologists and epigraphers have debated for decades?
No one know where the Maya disappear to,” he said.  “One day they just pick up they bags an’ say, ‘I’m going home.’”

I curled the toes of one foot into soft sand. All around us, wild purple bougainvillea emerged from the bush, circling the trunks of huge trees. This was bougainvillea at the creation, I thought, lush and brazen, embracing giants, not dwarfing itself to accommodate a tame trellis as it might at home. I felt Henry’s hand on my bare shoulder, and followed his gaze to a pair of dragonflies with pearly blue necks.  The sun shone on their black filigree wings as their bodies moved and went still, moved and went still, copulating on the bow of the boat. It was full midday, but there under the jungle canopy, on a beach practically hidden from the river, the searing air only warmed, like the temperature that opens a bloom.

I drew myself up on one elbow.  I fingered the gold leaf on Henry’s chest.  “Does that hurt?” I asked.

“I do feel it,” he said.

I dropped my hand, but Henry stretched his arms above his head and closed his eyes.  “You keep doin’ that,” he said.

It was natural we would make love, I think, as natural as the possibility that the river journey would pull me back into imagining a different present for myself.  Only the coming of night drew us from the beach. We motored all the way on the return, to beat the dark, and spoke only twice.

“I can come to da hotel,” Henry said.  “My uncle own it.”

“Maybe not,” I said.

Some time later, I heard tinkling sounds, as if from small bells.  I searched both sides of the river for what it might be, but did not turn around in the boat.

“Da goats,” Henry finally said to my back, and I could tell he had a knowing, contented look on that fine face. I will never understand why speakers in these parts say “goats” for sheep.





                                                                                                                                                        drawings by rene ozaeta
You may enjoy stories by my sister writers in the volume where "On the Macal" is published, 
The Best Women's Travel Writing, vol. 8, from Travelers' Tales, look here




     

Thursday, February 28, 2013

Moacyr Scliar -- Life to the Max




     I wondered why the late Brazilian writer Moacyr Scliar impressed me beyond his fine books, and found myself remembering an experience while reporting in the Gulf region country of Oman. In answer to my insistent questions about the rebellious Dhofar territory, a government helicopter flew me to the remote mountains.  I saw a crowd near the landing pad and figured they were waiting for me.  It turned out that families had rushed to the place at the sound of the chopper, hoping its passenger was a doctor.  They had no idea what a newspaper was.  I never felt so useless in my life.

     
   Physician and author Moacyr Scliar died two years ago today, on Feb. 27, 2011.  I didn't meet him in life but know he was a good person because I have read his fables laced through with love of mankind and awareness of how debased men and women can be, I have met his friends and his widow and talked of his much-missed presence with ordinary residents -- approached at random -- of the southern gaucho city of Porto Alegre.  It seems Scliar was a useful man, a public health doctor whose passing was commemorated in obituaries not only in the New York Times but also in specialty journals of a variety of medical fields.  The poet Gary Snyder, who is also a carpenter, says every writer should have a job, which I take to mean a productive skill visible and even helpful to fellow human beings, including those who can't or do not read.  A way of keeping one's feet on the ground.  As he physically healed patients, Moacyr Scliar wrote over a hundred books.

                              

This story appeared last week on New America Media. www.ncmonline.com

The Life of Max  -- Thoughts On Pi’s Brazilian Creator


By Mary Jo McConahay
“What’s it about?” I asked.
A friend had recommended I read The Life of Pi. Never a spoiler, she described the plot in broad strokes.
“Wait a minute,” I said.  “I’ve read that.”
I hadn’t, but ever since I had read The War in Bom Fim, about a certain Brazilian neighborhood during the Second World War, I had devoured everything I could find by the Brazilian physician and author, Moacyr Scliar.  When I ran out of his books in English translations, I began The Centaur in the Garden in the original Portuguese, figuring it should not take me forever since I already knew the life story of the half-horse baby of Jewish heritage born in Brazil, the ultimate outsider novel.
“Not a tiger, it was a jaguar in the boat,” I said to my friend.
I was remembering Scliar’s Max and the Cats, where young Max must flee pre-war Berlin just ahead of Nazis who had been set upon him -- Max is Jewish -- by the husband of the older woman with whom the youth has been cavorting.  A shipwreck on the way to Brazil leaves Max in a dinghy with a jaguar escaped from the hold.  I never considered the jaguar a reflection of Max’s inner fears, as I read in one review, never a mirror of his attempts to control the terror that struck his heart with the presence of Nazis in this world.  I thought Max and the Cats was just a terrific yarn, the jaguar the most memorable of the felines Max encounters as he grows and changes like the best of literature’s protagonists. 
By 2011, when I was planning to visit Scliar in his home town of Porto Alegre, Brazil, I was aware that Pi’s author Yann Martel had fessed up, that he admitted he had taken his Pi from Max.  Taken his Pacific from the rough Atlantic. His circling sharks from Scliar’s circling sharks, his tiger from the jaguar. I only knew because my curiosity set me on an evening’s internet search.  With The Life of Pi, the Canadian author won the coveted Man Booker Prize, catapulting Martel to fame.  The film based on the book is up for an Oscar for Best Film. Well, I thought, you can’t copyright a title, can’t trademark an idea.
“It might have been good if he had communicated, at the beginning,”  the author’s widow would tell me later.  She said it softly, with bewilderment, but also resignation.
Martel ambiguously thanks Scliar in an author’s note for “the spark of life.” In an internet essay, he said he got the idea for Pi from an “indifferent” review of Max and the Cats by John Updike in the New York Times.  Updike never wrote a review of Max and the Cats, in the New York Times or anywhere else.  At any rate, it is difficult to believe a reader would be “indifferent” to Max, whose multi-layered story evokes a mix of emotions, where Pi might be characterized as a good one-note read.
On Jan. 27, 2011, I fell backward down a flight of concrete stairs (don’t ask), and was forced to cancel not only samba lessons but my ticket to Brazil.  Moacyr Scliar suffered a stroke and died from its complications on Feb. 27, age 73.  When I reached Porto Alegre in May, in gaucho country in southern Brazil, the weather was coming into winter in the southern hemisphere.  Wrapped in a scarf and hat, I traipsed the streets of Bon Fim that I felt I knew from that first (for me) book of Scliar’s, seeing again the characters scratched forever into a boy’s mind, feeling the  anxiety and humor that could come only from a mature writer in control of his pen.  Eerily, the local university was presenting the venerable neighborhood in a gallery exhibit, which Scliar had been curating before his stroke; it became a memorial to Porto Alegre’s most famous resident, his talk missed in local cafes, greetings missed on the streets. 
A member for life of the Brazilian Academy of Letters, one of forty living citizens sometimes called "the immortals" (admitted: 2003), in Porto Alegre Scliar was the story-teller and kind, always accessible public health doctor.  The only author of which I am aware whose obituary ran in both the New York Times and The Lancet.  Bom Fim. In Portuguese, it means good death.

On my last day in Porto Alegre, I bought a ticket on the next morning’s bus to Montevideo, and wrote an email expressing my regret over the death of her husband to Judith Scliar. She responded inviting me to come over, at that very moment. I jotted the address on a scrap of paper, ran to the street and flagged down a taxi.  After half a lifetime in Latin America, I do not believe in the term “magic realism;” the reality here is “stuff happens” at which eyebrows remain unraised. I stood outside the car and handed the address to the driver through his open window. “Do you know where this is?” I asked. “Yes, of course,” he said, driving off with the note in hand, leaving me standing.
Eventually I sat across the table from Moacyr Scliar’s widow at her house.  She is a beautiful woman who married young, clearly stayed in love for all the decades, and still seemed surprised by death.  I spotted a short, sweet note to “Judy” from her husband, inserted between books nearby.  It was all too fresh.  She cried. I cried, although I knew neither him nor her, wept at the sheer weight of her sadness.
“Come with us to the movies,” she said later.  We would go with Moacyr’s best friend, and her best friend, to the opening of “Midnight in Paris.”  
“You will see every Jew in Porto Alegre there,” she said.  “We are the only ones who really get Woody Allen.”
After the film we sat in a cafe talking over strong Brazilian coffee until the three friends fell in to a round of telling jokes, one more outrageous than the other, I knew it even though I didn’t get all the punch lines.  The previous day on Riachuelo Street, in a remarkably stuffed used bookstore -- upper floor tomes simply stacked as high as physics allowed, no shelves -- I had discovered a 20-year old volume co-edited by Dr. Scliar on Jewish humor.  Probably he didn’t have to go far for inspiration.


Judith Scliar, me, Renee, and Moacyr's best friend, Carlos

The last time I visited Porto Alegre, a year had passed.  The widow had little time for a visitor. Moacyr Scliar, not well known abroad, was at least a hero in his own land. A new annual literary prize carrying his name had been inaugurated, with a value of more than $75,000.  Judith Scliar was on her way to Rio de Janiero, to open a new school named after her husband.  She showed me the office where he used to write, desk cleared and otherwise streamlined because students and researchers were arriving.
In that room, Judith Scliar slowed down. She ran a finger along the desk.  I told her Pi had become a movie.She didn’t seem to hear.  
       “He had more books in him,” she said of her late husband.  “Maybe seven or eight more books.”










Wednesday, February 13, 2013

Surprise Papal Resignation -- As I See it from Latin America


La Sorpresa: The Papal Resignation, in the Latin American Eye

La Sorpresa: The Papal Resignation, in the Latin American Eye

SAN SALVADOR--Local bishops, not the pope, traditionally run church life and sometimes political life from Mexico to Argentina, but the reach of Pope Benedict XVI, who announced his retirement effective Feb. 28, has been unique.  For decades, when Ratzinger's shoe dropped, the tremor reverberated over Latin America, where half of the world's one billion Catholics live.

CLICK HERE FOR THE REST OF THE STORY 

Sunday, February 10, 2013

Justice for Genocide?




200,000 Killed.   My take on the Rios Montt genocide trial, published in today, Sunday's, Los Angeles Times.  

CLICK HERE TO READ THE STORY


I'm adding for the blog a few photos I took one of the days.  An important trial. 








A brave judge, above, Miguel Angel Galvez


Rios and one of his defense attorneys 



Sunday, February 3, 2013

2013

Come February, I'll be back from a time-out in London and Paris and blogging once again.  

May the New Year begin well for all!




Wednesday, December 26, 2012

It's About Time

Writing from London

In these dark days at the end of the year -- twilight begins between two and three p.m. here -- I treasure the light even more than usual.  A few days ago I watched the winter solstice sunrise at Avebury, a village of sacred stone circles about 19 miles from Stonehenge -- but even older than that more famous site.


In those fields of crop circles, cows and sheep, appreciation for light in winter reaches near-mystical levels, a throwback to the relatively recent times when families closed their doors as soon as dark fell, and only jumping flames from cook fires and candles lit their nights.

My friends were astonished I chose to be in England. "You've written a book about the Maya, spent years in their lands.  Why aren't you going to be at a Maya site?"  As the last day of the 5,126-year Maya calendar, 2012 was a very special solstice indeed in Maya country, in the rain forests and highlands of Central America.  But I reckoned sacred sites the world over shared something, that the priests and commoners of ancient Maya lands would understand those who worked to place giant stones just so among Avebury's green fields, both peoples honoring Mother Earth and the sun that warmed her, providing them with food.

Exactly one year ago, in 2011, I did go to a Maya site for the winter solstice.  Earlier this month, the travel writing site, Gadling.com, ran my account of that visit.

SUNRISE AT IZAPA, MEXICO, THE PLACE WHERE TIME BEGAN


WINTER SOLSTICE, 2011 – The darkness enveloped us like a warm blanket as we walked carefully toward the center of the ancient ruins of Izapa. We carried a flashlight but did not turn it on, believing our eyes would adjust to the dark. With no warning, from the direction where I thought the royal throne should be, light shot into our eyes, blinding us to a halt.

                                    To continue reading, please go to Gadling






Saturday, November 17, 2012

Gore Vidal's Old House


By Mary Jo McConahay



In later years...President Theodore Roosevelt's daughter, Alice Longworth, congratulated me every time we saw each other: "You got out. So wise."
"Reflections on Glory Reflected,"
-- Gore Vidal, United States: Essays 1952-1992

The day Gore Vidal died rain fell hard on the roof of his old house alongside the ruins of Our Lady of Carmen in Antigua, Guatemala. Braids of thick plaster twisted gracefully around chipped columns, dripping after the downpour that signaled the end of the canicula. Those golden weeks of sun and hummingbirds in the midst of the rainy season were over.
                   Read the rest of the story on Gadling.com

"Anais Nin visited her dear friend Gore in this house, even nursed him through a near-fatal case of hepatitis caught eating from pots in the market..."



"The day Vidal died, I stood on the curb across the wide street and considered the rich life in the author's house at the beginning of his career: sex, politics, the magical work of writing..."


 "You need only read him to see he understands the concept of "empire," because he lived in an outland of the American imperium..."

Read the entire story on:    Gadling.com