THERE WERE THE OLMEC
The steamy east coast of Mexico is producing discoveries that are beginning to chip away at what we don't know about the mysterious Olmec civilization. If they are famous at all, the Olmec are known for producing giant stone portraits in the round, beginning more than three thousand years ago in the regions of Veracruz and Tabasco. The imposing heads can weigh up to twenty-four tons. To see them up close is to marvel at their individuality, and wonder how a people without the wheel managed to accomplish the task of their creation.
Those who have long claimed the Olmec were the mother civilization of Middle America, giving birth to the much-better documented Maya, have more and more to offer as suggestive evidence.
When I think of Maya civilization certain images come to mind: the mighty jaguar; the Hero Twins whose valor and cleverness are central to the creation story in the Maya bible called the Popol Vuh; cranial deformation for beauty and status; the Maya calendar, still in use today and the Maya counting system expressed in bars and dots.
(allowing me to take these pictures inside the exhibit) colossal masterworks and fine smaller pieces are on display until May 8. Have a look at the young twins on the left, and the larger royal twins on the right, and tell me if the Popol Vuh doesn't come to mind. You haven't read it? You must. The translation by poet Dennis Tedlock is my favorite.

The deformed heads, a sign of high status, are prominent in Olmec sculpture, as are jaguar faces on human bodies.
If you want to see how some of these huge pieces were moved from their homes on the Mexican coast to foggy San Francisco (very carefully), go to: http://www.flickr.com/photos/lacma/sets/72157624945753603/show/